Marijuana Effects, The Beats, Phoney Baloney, “YOU Do It!” – Drugs and Generations, Fifties Generation:Peripatetic, Apathetic Mind; Seeing “Plastic” People – The Beat Generation and Pot
The effects of marijuana are more diverse than those of alcohol and nicotine. Yet there are a number of things that can be said about its effects in general. The effects of marijuana are more subtle than the two drugs mentioned thus far. In fact, there are some people who cannot feel the effects of marijuana; and very often it takes several times of using it before one begins to realize its effects. Yet it is not an ineffectual or weak drug by any means.
Robert Masters and Jean Houston, in their book, The Varieties of Psychedelic Experience, provided an architecture of the psyche, derived from their study of the effects of LSD, that is useful in understanding what can happen eventually with continued use of marijuana. They conducted “depth soundings” of the LSD experience and discovered that there were four levels of the experience: the sensory, the recollective-analytic, the symbolic, and the integral. While marijuana is not as powerful in its effects as LSD, it has a similar effect on consciousness; one might say it acts in the same direction as LSD. In contrast to drugs like alcohol and nicotine, which serve to aid repression and to help to numb or reduce one’s perception of both inner and outer reality, both marijuana and LSD have the effect of opening or enhancing one’s awareness of inner and outer reality.
However, the effects of marijuana are complex because they do not as consistently open one to inner realities as does LSD. Pot opens or enhances one’s experience of the sensory world initially, and as long as it does just this it can be used as a drug of avoidance of painful (inner) reality just like alcohol and nicotine do. That is, one with sufficient repression and defenses can use marijuana to flee from inner pain, depression, or whatever, into an enhanced, pleasurable sensory world that does not trigger one’s pain. At this stage, only, pot can be used to defend against pain and can be psychologically addictive in providing a palliative to pain. Once again, it can do this because it serves only to “bend” not to bust one’s defenses against one’s pain.
Yet for some people this effect of marijuana changes with continued drug use. It is as if the continued “bending” of defenses can eventually lead to a “loosening” of them, and with that loosening comes the deeper level of experience described by Masters and Houston and termed the recollective-analytic. At this level, enhanced sensory experience opens the door, so to speak, to enhanced inner awareness. This enhanced inner awareness can include the awareness of the underlying motivations of oneself and others, and this is mostly not pretty.
Because the normal person is motivated mostly by past, or primal, pains or traumas and is acting out scripts or roles that are pathetic attempts to re-create or struggle with events that happened a long time ago, the normal person is not really IN the present. The person is, as the great religions have described it, in ignorance, in samsara , in dukha, and is basically unreal. The person, as humanistic psychologists have described, is inauthentic and is acting out games or scripts, which they are totally unconscious of. They have identified with these scripts, roles, goals, and motivations—the outgrowth of a completely unique set of past experiences of pain and trauma—and haven’t a clue as to their arbitrary character, let alone of the fact that other people are similarly acting out their own unique roles which are just as arbitrary and, well yes actually, pathetic.
However, pot, just like LSD, can eventually (sometimes even initially for persons who are, perhaps because they are young, or whatever, are unusually undefended, more sensitive, and more open to actual reality) open one to the horrifying perception of the inauthentic and unreal nature of ordinary social behavior. In this state of heightened awareness of the inner world of oneself and others, one perceives oneself and others as puppets or windup dolls, pathetically seeking to satisfy very old needs, which are totally irrelevant to the present context, with others who are similarly and robotlike also seeking to satisfy very different past deprivations. In common parlance, it is said that most actions of people are just “games.” So, part of the horrifying nature of this perception, on the recollective-analytic level of awareness, is that indeed people are not truly relating to each other at all, that they are like people trapped in spacesuits trying to communicate with each other through the layers of barriers between them. [Footnote 3]
What follows from this perception is the conclusion that people are basically phony, or plastic; that life is unreal; that normal motivations in pursuit of normal social values such as achievement, status/popularity, and pleasing appearance are meaningless rituals—games—that are totally irrelevant to the true nature of one’s being or reality; and that one is trapped in this prison of unconscious scripts, with no chance of release or true perception of reality.
The “Beats” – “Phoney Baloney,” So, “YOU do it!”
The “Beat Generation” of the Fifties used marijuana and caffeine, predominantly. Their culture included the rise of existential belief, the glorification and poetification of angst, and the belief that their contemporary society was characterized by alienation, conformism, inauthenticity, and, most tellingly, “phoniness.” The normal life of the World-War-Two Generation was seen as a “rat race,” motivated by such high ideals (sarcasm intended) as “keeping up with the Joneses,” and pervasive materialism and consumerism.
Yet activism was not the Beat Generation’s response to this perceived negative social context, as it would be only a generation later. Passivism, apathy, pessimism, and defeatism were the most common attitudes expressed. This is what one would expect as a result of marijuana use.
Nonetheless, art was deemed a weapon, however impotent, with which to rail against what seemed an overwhelming, huge mainstream ignorance or unconsciousness. So the only apparent activism of that time is found in rebellious poetry, folk music, and fine arts of all kinds, especially literature, theater, painting, and some film.
2. An extremely funny exposition of the effects of marijuana is contained in an album put out during the Sixties titled Child’s Garden of Grass. While its intent is completely comedic–at which it succeeds masterfully–it succeeds more than anything else I know of in depicting, to both the experienced and inexperienced, the most common effects of this trickster drug. Enjoy it below (seriously, only when you have the time to really “grok” it) as it has been reproduced for sharing on youtube.
There are a total of ten parts to “Child’s Garden of Grass.” The ones that follow part one above can be accessed by clicking the youtube link on the player. [return to text]
3. “Like people trapped in spacesuits trying to communicate with each other through the layers of barriers between them” is the way one person described it, as reported in a book by Kenneth Keniston titled The Uncommitted, which delved into the psychology of one segment of Sixties Youth. [return to text]
Opposing worlds – Topics
- WW II Gen, Alcohol & Nicotine
- Beats – Pot
- Sixties – LSD, etc.
“Culture War, Class War Chapter Three:
Drugs of Choice and Generational Cultures – Opposing Worlds”
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